Galt Macdermot and He Will Not Come Again
(Soul-Jazz, Easy Listening, Jazz-Funk) [CD] Galt MacDermot - Up from the Basement: Unreleased Tracks, Volumes one & 2 - 2002, FLAC (tracks+.cue), lossless��������: 1
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Review by M.F. DiBella While known by and large for his work on the '60s Broadway sensation Hair, accomplished jazz pianist/composer Galt MacDermot was far more prolific than a one-hit wonder. Proof positive is this collection of some of the progressive musician'due south funkier leanings, culled literally from the maestro's all-encompassing cache of basement recordings. None of the album's 24 cuts (circa tardily '60s/early '70s) was originally meant for commercial consumption, just the final 6 tracks were lifted wholly from reel-less acetates (hence the lack of post-product smoothen). MacDermot'southward ivory tickling is aided by a host of relatively unheralded sessionaires (including funky drummers Idris Muhammad and Bernard "Pretty" Purdie, guitarists Charlie Brown and Baton Butler, and bassist Jimmy Lewis). Various soulful corners are explored throughout, from straight-alee funky jazz ("Ripped Open By Metal Explosions," "Prison Life") to Age of Aquarius aesthetics ("Never Die, Desire Not," "Lost Dreams") to more corybantic flourishes ("Ghetto Suite Tune," "Flurry"). Tempos and vibes are shifted with regularity, giving the collection a herky-hasty feel, but the overall forcefulness of the music generally overrides the haphazard sequencing. The album reaches its elevation with an alternate take of "Let the Sunshine In," one of Hair's more than memorable overtures. MacDermot's revival was likely influenced by the new-school vinyl generation's interest in his music'south sample-friendly elements. |
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